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The Everlasting Gobstopper* is Your Obedient Serpent's own rhyming slang for a "Neverending Doorstopper", the most egregious metastasis of Trilogy Creep.
To qualify as an Everlasting Gobstopper, a work must have most or all of the following traits:
Readers often develop Stockholm Syndrome. After investing so much time and energy into a work, they are not going to walk away and leave it unfinished, no matter how much of a slog it has become or how little they care about the characters anymore.
As the work continues to expand, it becomes increasingly likely that the author will walk away and leave it unfinished.
While these symptoms are most commonly found in Fantasy Literature, the contagion has spread to other genres and media as well. HBO's Game of Thrones, of course, is the most obvious example, being a direct adaptation of one of the quintessential Everlasting Gobstoppers.
An example native to television might be Supernatural: after the resolution of its original story arc and the departure of the creators, the series has continued without actually progressing, to the point where one can tune into any random episode from Seasons 6-10 without being able to determine if it is, in fact, a rerun.
In the world of comics, Hickman's multi-year run on the Avengers titles spiraled into a Gobstopper. Hicman managed the rather impressive feat of making the defeat of a vast alien armada seem ultimately meaningless. Geoff Johns' tenure on Green Lantern and its spin-offs deserves a mention, as well: it even outlasted the original author (though Mr. Johns is, thankfully, still with us); after his departure from the books, those who followed him kept spinning out the plot threads he set in motion, stretching them ever-finer and more tenuous.
Note that an author can crank out novel after novel about the same characters for decades, but if the characters resolve the issue at hand in each installment, it's not a Everlasting Gobstopper. The continuing adventures of Philip Marlowe, of Fafhrd and the Gray Mouser, or even those of Harry Dresden do not qualify as Gobstoppers. Yes, Harry's saga has an ultimate over-arching story arc, but each volume is largely self-contained; he and his friends resolve the most immediate of threats and dangers, and even multi-volume plot threads are resolved every few books. Butcher lets his characters win now and then, and that big looming metaplot actually progresses as we learn more about it.
I am ... not a fan of Everlasting Gobstoppers, and I try to avoid them. I get sucked in on occasion, of course; the Agent Pendergast series seemed like a tidy batch of fairly self-contained superhantural thrillers until it swallowed its own tail diving into the protagonist's dysfunctional family background; ultimately, I walked away from that one and haven't looked back. More recently, after thoroughly enjoying the tidy trilogies and done-in-one works of the preposterously prolific Brandon Sanderson, I picked up The Way of Kings ... and discovered, as I was immersed in the second volume, that Sanderson intends to run that series for at least ten full doorstoppers.
Coyote help me, I am looking forward to them all.
*The phrase, of course, is borrowed from Roald Dahl's masterpiece, Charlie and the Chocolate Factory.
To qualify as an Everlasting Gobstopper, a work must have most or all of the following traits:
- Each volume in the series will run around a thousand pages, putting each individual installment firmly into Doorstopper territory.
- There is no clear end to the progression of installments: while the saga appears to be telling a story, there is rarely a hint of actual resolution. It is, in short, Neverending.
- The characters rarely manage to accomplish anything of significance. They are tossed around from event to event, becoming increasingly mired in events outside their control.
- Corollary 1: The more sympathetic they are, the less they manage to accomplish.
- Corollary 2: Any minor "victories" will happen early on in the series. As it progresses, the characters become increasingly less effective, as the author finds it easier to play on readers' sympathies tormenting characters rather than advancing the story.
- Corollary 1: The more sympathetic they are, the less they manage to accomplish.
While these symptoms are most commonly found in Fantasy Literature, the contagion has spread to other genres and media as well. HBO's Game of Thrones, of course, is the most obvious example, being a direct adaptation of one of the quintessential Everlasting Gobstoppers.
An example native to television might be Supernatural: after the resolution of its original story arc and the departure of the creators, the series has continued without actually progressing, to the point where one can tune into any random episode from Seasons 6-10 without being able to determine if it is, in fact, a rerun.
In the world of comics, Hickman's multi-year run on the Avengers titles spiraled into a Gobstopper. Hicman managed the rather impressive feat of making the defeat of a vast alien armada seem ultimately meaningless. Geoff Johns' tenure on Green Lantern and its spin-offs deserves a mention, as well: it even outlasted the original author (though Mr. Johns is, thankfully, still with us); after his departure from the books, those who followed him kept spinning out the plot threads he set in motion, stretching them ever-finer and more tenuous.
Note that an author can crank out novel after novel about the same characters for decades, but if the characters resolve the issue at hand in each installment, it's not a Everlasting Gobstopper. The continuing adventures of Philip Marlowe, of Fafhrd and the Gray Mouser, or even those of Harry Dresden do not qualify as Gobstoppers. Yes, Harry's saga has an ultimate over-arching story arc, but each volume is largely self-contained; he and his friends resolve the most immediate of threats and dangers, and even multi-volume plot threads are resolved every few books. Butcher lets his characters win now and then, and that big looming metaplot actually progresses as we learn more about it.
I am ... not a fan of Everlasting Gobstoppers, and I try to avoid them. I get sucked in on occasion, of course; the Agent Pendergast series seemed like a tidy batch of fairly self-contained superhantural thrillers until it swallowed its own tail diving into the protagonist's dysfunctional family background; ultimately, I walked away from that one and haven't looked back. More recently, after thoroughly enjoying the tidy trilogies and done-in-one works of the preposterously prolific Brandon Sanderson, I picked up The Way of Kings ... and discovered, as I was immersed in the second volume, that Sanderson intends to run that series for at least ten full doorstoppers.
Coyote help me, I am looking forward to them all.
*The phrase, of course, is borrowed from Roald Dahl's masterpiece, Charlie and the Chocolate Factory.
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