[livejournal.com profile] pyat and [livejournal.com profile] doc_mystery might app

May. 2nd, 2005 12:12 pm
athelind: (Default)
[personal profile] athelind
Vintage Stage Magician Posters

No, you won't find "Mandrake" or "Zatarra"...

Date: 2005-05-02 07:18 pm (UTC)
From: [identity profile] lynn-onyx.livejournal.com
Keeg a hcus er'uoy.

Date: 2005-05-02 07:22 pm (UTC)
From: [identity profile] soreth.livejournal.com
Hey, who wouldn't enjoy being able to see posters for Robert-Houdin? Only two, but hey - that decapitation trick was supposed to be a real crowd-shocker.

Date: 2005-05-02 07:30 pm (UTC)
From: [identity profile] pyat.livejournal.com
I want to beat [livejournal.com profile] doc_mystery to pointing out that the comic strip Mandrake was based on the real life Canadian stage magician, Leon Mandrake.

Date: 2005-05-02 07:30 pm (UTC)
From: [identity profile] darkkdragon.livejournal.com
Woah! This is cool; thanks for sharing. ^^

Date: 2005-05-02 11:23 pm (UTC)
From: [identity profile] auryanne.livejournal.com
Wicked cool! Now I'm going to have to go through and look for ones with bunnies on them ;)

Date: 2005-05-03 03:02 am (UTC)
From: [identity profile] doc-mystery.livejournal.com
Those are some very nice images.

Hmm...Magic and mystery has always been closely associated in the pulps.

Perhaps the most important writer to make this connection was Walter B. Gibson , ghost author of most of The Shadow stories for Street & Smith under the “Maxwell Grant” nom-de-plume. Gibson’s association with magic began when he worked with Houdini, and later ghost wrote some books for him and other stage magicians (Thurston comes to mind). This past association paid off for Gibson with many examples of stage illusion and other magics appearing in a good many pulp stories featuring the Shadow. Gibson also had a stage magician as the eponymous hero of a dozen or so “Norgil the Magician” stories, which were reprinted in two volumes by The Mysterious Press, both volumes now out of print

Another important author to feature a stage magician (and magic store owner!) as hero was Clayton Rawson, author of “The Great Merlini” series of ingenious impossible crimes. The very first of these stories, “Death on a Top Hat” has a killer stalking and killing several stage magicians and Merlini has to figure out not one but two locked room murder mysteries; it later the basis of the 1939 B-movie “Miracles for Sale” . Rawson was also the writer behind the pulp series, “Don Diavolo” (aka The Scarlet Wizard) that appeared in the Red Star Mystery pulp series.

Other stage magician appearances in pulp and pulp related material? Hmm…

In one of the best complete of Carlton E. Morse’s I Love A Mystery old time radio serials, “Bury Your Dead, Arizona”, the three comrades of Jack, Doc and Reggie meet a mysterious illusionist known only as “The Maestro”.

In the Lin Carter “Prince Zarkan” pulp pastiche series ( The Nemesis of Evil, Invisible Death, The Volcano Ogre, & Horror Wear’s Blue), one of his Omega Men is Nick Naldini, a lanky stage magician.

And finally, as mentioned by [livejournal.com profile] pyat Lee Falk’s first comic creation was “Mandrake the Magician” comic strip. Falk was better known as the creator of comic strip hero, “The Phantom.”

::B::

Date: 2005-05-03 03:12 am (UTC)
From: [identity profile] athelind.livejournal.com
I understand that in the PULPS, the Shadow used stage magic, slight of hand, and misdirection, at least in the early years. The supernatural power to cloud men's minds was an artifact of the radio show.

I would so love to play a character who did that. Or better yet, the classic Mandrake/Zatara type who actually knew "Real Magic", but employed stage magic as a double-blind. Knowing the way I play characters, he'd probably only pull out the REAL stuff in extremis, and consider it "cheating" if he had to...

Date: 2005-05-04 02:25 am (UTC)
From: [identity profile] doc-mystery.livejournal.com
Essentially you are correct. The pulp Shadow's use of stage-magic illusion and misdirection feigned invisibility, but he wasn't really invisihble. His adoptions of a cloak of mystery was in part to drive terror in the heart of his enemies who in large part had a rather supernatural outlook and would often assume the Shadow himself had supernatural abiilties and powers.

Supernatural magic only very rarely appeared in Gibson's Shadow stories (in stark contrast to the radio series), with most appearances of magic and dark arts later turning out to be synthetic or hoaxes. The one exception appeared in the "Shiwan Khan" sereis of stories, where the eponymous villain seemed to have unusual powers of telepathy and hypnotism and exercised these in several instances.

I'm uncertain why Gibson lapsed in this instance. My only explanation being that during the 1930s and 1940s, when so much scientific progress was being made in physical and biological fields, that it was postulated by Gibson that what we would call the pseudo-science of psionic ability would be in the future (ie. today) prove in fact to be true (when it never did).

::B::

Date: 2005-05-04 02:55 am (UTC)
From: [identity profile] athelind.livejournal.com
His adoptions of a cloak of mystery was in part to drive terror in the heart of his enemies who in large part had a rather supernatural outlook and would often assume the Shadow himself had supernatural abiilties and powers.

Or, in the words of someone who might have been ever so slightly inspired by Gibson:

"Criminals are a superstitious and cowardly lot!"

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