Date: 2010-05-13 05:45 am (UTC)
When Blackest Night started up last fall, I noted that, after two years of working in a comics shop, it was the one thing that was keeping me interested in superhero comics.

Well, it's over now, and, um, guess what?

They've done their best to roll things back to the Pre-Crisis Status Quo, but ...

Like I said in the link, Alan Moore didn't fridge Barbara Gordon at random, and he certainly didn't do it to spit in the face of a popular character -- because she wasn't.

Barry Allen? Same thing. Everyone remembers the spectacular heroic exit that Wolfman and Perez gave him in Crisis. Nobody remembers that his book had gotten canceled months before, and not to "pave the way" for the Big Event. Nobody remembers the years of tedium that were the last few years of his book.

Ray Palmer wasn't even that popular, and as for Happy Hal -- I spent ten years saying that if all the people who clamored for Hal's return had actually bought his book, it wouldn't have been getting constantly canceled and retooled through the '80s and early '90s.

Yeah, my M&M campaign has staked out its turf as fanfic, and I've fallen prey to the fan-writer's affliction of liking my own stuff better than the "official" version. But that's because I like the concept of Legacy Characters, and the idea of a setting that changes and grows and evolves* -- as opposed to the collapse into stasis and stagnation that's sucked DC into the event horizon.


*By the way, you mentioned your love of John Ostrander? Well, his current project is doing exactly that with Lucas's tragically-mishandled setting, in a Dark Horse comic called Star Wars: Legacy, set 150 years after the movies. It rocks, the way only Johnny O can rock.
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