athelind: (Magnum Opus)
Okay, I'll bite. What's the Rune Star Tapestries?

It's the blanket title for the Sword & Sorcery Magnum Opus* I've been tinkering with on and off since the early 1980s. It stars several of the characters I played in [livejournal.com profile] godhi's Corongond Campaign, the first big, ongoing tabletop RPG campaign I was ever involved in.

Yes, characters. It was the Dawn of the Nerd Age, before Dallas Egbert was lost in the steam tunnels, in the days of the Great Dice Famine. In those days, playing more than one character at a time and having characters who jumped from campaign to campaign was still fairly common. Game mechanics have matured and evolved a great deal over the last four decades, but in that cusp between the Seventies and the Eighties, between Carter and Reagan, between Eldritch Wizardry and the Player's Handbook, gaming culture was equally embryonic, and many of the customs and conventions now taken for granted had yet to emerge. Many off-the-cuff, ad-hoc decisions made in a convention hall's game room about how a fantasy world might function went on to shape not only game settings but fantasy literature as a whole.

(Had we known we were setting precedent as binding as the Common Law, we might have made different decisions.)

I have dithered around with these ideas and these characters for almost four decades, developing and discarding settings that just didn't work, haring off after misguided attempts to write a "proper" Quest Fantasy Trilogy despite a set of decidedly improper protagonists. After the untimely demise of my friend, Jim, who was an important part of that antediluvian tabletop chronicle, and who never stopped encouraging me to bring my characters to a wider audience than the gaming table, I realized that it was well past time to get serious about this saga.

For the last few months, in fits and starts, jotting down notes at work and in the evenings, I have striven to do just that ... and I'm ready to start sharing.

That's ... informative. But what IS the Rune Star Tapestries?

Well, let me tell you what it *won't* be:

It won't be a Trilogy Quest, where the protagonists have basically One Big Adventure to overthrow One Big Bad, and that's it, they're done. That's the end of their story.

It certainly won't be an Everlasting Gobstopper: those Neverending Series of Thousand-Page Doorstoppers, which drag characters through tragedy after indignity without ever really *accomplishing* anything. [Cue Portentious Violins over Clockwork Maps.]

It won't be a Grand Epic about Destined, Prophesied Chosen Ones.

I plan a throwback to the classic days of Sword and Sorcery: an episodic, picaresque collection of short stories and novellas about a trio of well-meaning troublemakers, three misfits seeking their fortune in a world of magic and high adventure. I feel no obligation to write them in chronological order, any more than Howard or Lieber did. It will be character-driven and setting-driven: the core theme will be exploration and discovery, as Our Heroes seek out interesting and exotic locales and interact with them.

And those ad-hoc decisions I mentioned, up above, that turned "Dungeon Fantasy" into its own subgenre? It just might be a chance to play with some of the eccentric, off-the-wall wildness that didn't wind up as Common-Law Precedent for the ISO Standard Fantasy Setting.

The most quintessential fantasy cliche is the tale of a Heroic Knight-Errant who rescues a Fair Princess from the clutches of a Wicked Dragon.

The Tapestries begin when a Plain Servant Girl rescues a Noble Dragon from the clutches of Errant Knights and would-be Heroes.

They take refuge with a band of Goblins, and that's where their adventures *begin*...


*Yes, that icon is Opus with a Magnum. Thank you, Derrick Fish.
athelind: (Ommm)
... well, you know; we all want to change the world.

2011 draws to a close today, and for the first time in a long time, the farewell I bid the passing year is a fond one. I know it's been a hard year for many of us, and certainly, in the Big Picture, there have been grim tidings and outright catastrophes. I hope 2012 is better for every one of us.

On the small scale, on the personal scale ... 2011 has been a good year for Your Obedient Serpent. I haven't mentioned it often, but I finally landed full-time work that taps at least some of my science background, and while there were a few rough patches mid-year, I think I've settled in solidly now. Better yet, it looks like I'll be getting to do even more sciencey stuff in the upcoming year.

As for me, personally ... well, as Gloria Gaynor once sang, 2011 was the year that "I grew strong, and I learned how to carry on." I'm not the person I was, and for the first time in a long time, it feels like I'm starting to become someone I want to be.

So ... thank you, 2011. I know you won't be hearing that from many people, but you did right by me.

As for the Shape of Things to Come:

If the theme for 2011 was Crawling from the Wreckage, then 2012 is Building from the Wreckage. I've found my place to stand, precarious as the footing might be (it is on a pile of wreckage, after all); now it's time to get my levers into place and see if I can move the world, just a little.

Really, it comes down to Extropy, and the Extropian Ideal: Live your life to improve the human condition ... starting with the local human. I'm still assembling a solid foundation for Maslow's Pyramid, but I can at least start sketching out the higher levels.

So, here's the Outline for 2012. If you don't like calling them "Resolutions", think of it as a TO DO LIST ... )
That seems like a good start.

Again, my best wishes to all of you, and I bid you all joy and hope for 2012.

footnotes )
athelind: (Magnum Opus)
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I've been reserving this icon for posts about my Epic Sci-Fantasy Space Opera, chock full of dragons and dead gods and scaly goblins and slave girls who become queens. I've been noodling around with this setting and these characters for decades now, but I never seem to be able to sit down and pull the pieces together.

That's right. It's my Magnum Opus.


Icon (and pun) courtesy of Dandy & Company's Derrick Fish.
athelind: (Default)
[Error: unknown template qotd]

I've been reserving this icon for posts about my Epic Sci-Fantasy Space Opera, chock full of dragons and dead gods and scaly goblins and slave girls who become queens. I've been noodling around with this setting and these characters for decades now, but I never seem to be able to sit down and pull the pieces together.

That's right. It's my Magnum Opus.


Icon (and pun) courtesy of Dandy & Company's Derrick Fish.

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