athelind: (defiance)
I've added the following to the top of that post, and reprinted it here because it shouldn't just get lost in everyone's already-read backlog:

I am, in fact, keenly aware of the miscarriage of justice visited upon the creator of the Ghost Rider by the courts. In short: they've bankrupted a sick old man by ordering him to pay damages to Marvel/Disney, one of the largest multinational combines in the world.

I thought long and hard about seeing the movie after hearing about this, but finally came to a compromise:

I donated several times more than the ticket price directly to Mr. Friedrich.

That's a whole hell of a lot more effective than a boycott, by my assessment.

Other than that, Mrs. Lincoln, how was the show?

athelind: (hoard potato)
I am, in fact, keenly aware of the miscarriage of justice visited upon the creator of the Ghost Rider by the courts. In short: they've bankrupted a sick old man by ordering him to pay damages to Marvel/Disney, one of the largest multinational combines in the world.

I thought long and hard about seeing the movie after hearing about this, but finally came to a compromise:

I donated several times more than the ticket price directly to Mr. Friedrich.

That's a whole hell of a lot more effective than a boycott, by my assessment.

Other than that, Mrs. Lincoln, how was the show?

Well ... I'm very glad I watched Ghost Rider on FX last night before seeing Ghost Rider: Spirit of Vengeance [SoV] today. It makes for good compare-and-contrast.

I liked SoV, but stylistically, it's a very different movie, and seeing the first one the night before really underscored that. It's filmed and set in Eastern Europe, and ... well, you know how SF/horror/Action films from Eastern Europe are frequently a little ... off-kilter?

It's like that.

The directors also gave us Crank, with Jason Statham, so if you cross that frenetic energy with Eastern European surrealism and just a touch of the framed, compositional, comic-panel style of the first movie, that should give you some idea of the style

It kinda works.

Nicholas Cage was also a lot more ... NICHOLAS CAGE in this one. As in, the directors showed him the Nick Cage Losing His Shit video on YouTube, and said, "THIS. We want to see THIS!" The Johnny Blaze of Ghost Rider was far more sedate and underplayed than this Johnny.

That's right. You heard me.

The set-up opens the movie, so it won't be much of a spoiler: Johnny's bravado at the end of the first movie hasn't worn well after five years of playing host to the Rider. He's pretty close to the edge through the whole movie, and you know how much Cage loves stepping over that edge.

The effects and camera work are excellent. The Rider looks far more dangerous than he did in the first movie, and far more like a burning, smoldering ghost than clean white bones wreathed in cozy fireplace flames.

The plot's a bit pro forma, but sometimes, all a movie needs is a thread to hang the eye candy together and an enthusiastic performance or two.

Summary:
If you liked Ghost Rider, you may or may not like Ghost Rider: Spirit of Vengeance. if you liked Ghost Rider, and also liked movies like the Resident Evil series and Priest, you're more likely to like this.

This is probably a Wait For DVD movie for most of Your Obedient Serpent's audience, unless you genuinely enjoy Nicholas Cage having the time of his life playing his favorite character and living up to all his stereotypes.


athelind: (tell it like it IS)
And now, everyone can stop the endless round of the same ol' Disney-Marvel mashup gags, because there's no way to top the awesome of this:




For those of you not in the loop, that's a take-off on the first on-panel appearance of Mary Jane Watson.

athelind: (Default)
And now, everyone can stop the endless round of the same ol' Disney-Marvel mashup gags, because there's no way to top the awesome of this:




For those of you not in the loop, that's a take-off on the first on-panel appearance of Mary Jane Watson.

athelind: (caustic)
The news in my last post has a lot of people worried about Marvel getting "Disneyfied". Funny, that hadn't really occurred to me.

I'd hate to see the intelligent, thoughtful storytelling of recent years compromised by a company who didn't respect the years of development and history of these characters. I'm not sure the store where I work could survive without merchandise aimed at the mature, sophisticated sensibilities of the modern comics audience.

I know, I know, when people hear "Disney", they still automatically think of the "wholesome" Mouse Factory of fifty years ago, as if the company had no idea how to tell exciting, entertaining action-adventure tales. But, seriously, folks: the modern Disney megalopoly has its tentacles in a lot more than happy, sappy, saccharine kiddie stuff. When I hear "Disney", I don't hear "Cartoon Company" anymore. I hear "Entertainment Powerhouse".

When I mentioned the effect this might have on the Marvel Studios movie series, it was almost entirely wondering if that side of the business would see a cash infusion that would re-accelerate the filming schedule (which has been pushed back a couple of times from the original plan of two big-name superhero pictures a year for three or four years).

Edit: [livejournal.com profile] cpxbrex pointed out that Marvel owes its recent barrage of movies to "complex financing", and that this may have something to do with the acquisition deal.

A lot of folks, on the other claw, are worried about them somehow compromising the integrity of the properties.

Personally? I think that the megacorp that gave us movies like No Country for Old Men and Miracle at St. Anna won't bat an eye at Tony Stark's antics.


Edit: Since none of the other comics blogs I read have mentioned this at all, I've combined the last two posts into a single post on my comics blog, Kirby Dots & Ditko Ribbons. Scooped! You are all so totally scooped! Like Raisin Bran, you're scooped!
athelind: (Default)
The news in my last post has a lot of people worried about Marvel getting "Disneyfied". Funny, that hadn't really occurred to me.

I'd hate to see the intelligent, thoughtful storytelling of recent years compromised by a company who didn't respect the years of development and history of these characters. I'm not sure the store where I work could survive without merchandise aimed at the mature, sophisticated sensibilities of the modern comics audience.

I know, I know, when people hear "Disney", they still automatically think of the "wholesome" Mouse Factory of fifty years ago, as if the company had no idea how to tell exciting, entertaining action-adventure tales. But, seriously, folks: the modern Disney megalopoly has its tentacles in a lot more than happy, sappy, saccharine kiddie stuff. When I hear "Disney", I don't hear "Cartoon Company" anymore. I hear "Entertainment Powerhouse".

When I mentioned the effect this might have on the Marvel Studios movie series, it was almost entirely wondering if that side of the business would see a cash infusion that would re-accelerate the filming schedule (which has been pushed back a couple of times from the original plan of two big-name superhero pictures a year for three or four years).

Edit: [livejournal.com profile] cpxbrex pointed out that Marvel owes its recent barrage of movies to "complex financing", and that this may have something to do with the acquisition deal.

A lot of folks, on the other claw, are worried about them somehow compromising the integrity of the properties.

Personally? I think that the megacorp that gave us movies like No Country for Old Men and Miracle at St. Anna won't bat an eye at Tony Stark's antics.


Edit: Since none of the other comics blogs I read have mentioned this at all, I've combined the last two posts into a single post on my comics blog, Kirby Dots & Ditko Ribbons. Scooped! You are all so totally scooped! Like Raisin Bran, you're scooped!
athelind: (hoard potato)
That headline again:

Disney. Buys. Marvel.


Tempting as it is to just follow that with "'Nuff said", I have to wonder....
  • How will this affect Marvel Sudios and their ambitious "Avengers Cycle" movie plans?
  • Will Disney cancel the Gemstone Comics license, and start releasing Disney titles using Marvel's production and banner?
  • Conversely, will that matter if both companies continue to ignore newstand and grocery store distribution in favor of the hard-core fandom's boutique market?
  • What does this mean for Kingdom Hearts and Capcom vs. Marvel?
  • Will there be an even more vigorous crackdown on Marvel fanfic and games with "Character Creators" that let you "duplicate Marvel intellectual property", like City of Heroes and Champions Online?
  • Will Howard return to his original character design? Will he turn out to hail from Duckburg? Will he lose his pants?

If this doesn't fall through, it'll bring a symmetry to the comics world: both major comics companies will be owned by massive global media juggernauts.

Strange days indeed.

athelind: (Default)
That headline again:

Disney. Buys. Marvel.


Tempting as it is to just follow that with "'Nuff said", I have to wonder....
  • How will this affect Marvel Sudios and their ambitious "Avengers Cycle" movie plans?
  • Will Disney cancel the Gemstone Comics license, and start releasing Disney titles using Marvel's production and banner?
  • Conversely, will that matter if both companies continue to ignore newstand and grocery store distribution in favor of the hard-core fandom's boutique market?
  • What does this mean for Kingdom Hearts and Capcom vs. Marvel?
  • Will there be an even more vigorous crackdown on Marvel fanfic and games with "Character Creators" that let you "duplicate Marvel intellectual property", like City of Heroes and Champions Online?
  • Will Howard return to his original character design? Will he turn out to hail from Duckburg? Will he lose his pants?

If this doesn't fall through, it'll bring a symmetry to the comics world: both major comics companies will be owned by massive global media juggernauts.

Strange days indeed.

November 2016

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